October 3, 2014 · Doors open at 7:00 pm
Eluveitie’s saga of success began just when mainman and mastermind Chrigel Glanzmann decided to form ELUVEITIE with the goal to fuse gothenburg styled melodic death metal with ancient folk melodies and themes to a powerful mixture that would soon become the „New Wave Of Folk Metal“. That was back in 2002 and Chrigel only meant to form a studio project.
Of course all that is history by now and the so called „studio project“ grew into a respected, well-known and active band. A relentless amount of touring and recording was all the band did in the past two years after having signed to Nuclear Blast Records. Their label debut „Slania“ marked the first chart entry (Switzerland: #35, Germany: #72) and was followed by massive touring activities all around the globe throughout 2008.
Profession of the Christian Faith or Decapitation: This was the choice given by Sigmundur to his Faroese Viking compatriot Tróndur í Gøtu. And so it was that in 999 A.D., the Christianization of the small “Faeroe Islands” began, casting a veil of oblivion over the ancient Scandinavian gods and only leaving the relics of forgotten heathenry buried deep within the Christian ritual. Or so it was believed…
Exactly 999 years later, a small group fondly remembering the archaic gods and rites came together to form the Faroese Viking metal band, TÝR. The one-armed God of War —the bravest of all— became the eponym of the Nordic quartet. Yet TÝR mastermind Heri Joensen is no war monger in disguise and points out that TÝR (also known as the God of Justice) is also revered for first seeking the avenues of diplomacy—an attribute that does not take away from this god of war’s drive.
A distinctive trademark that sets TÝR apart from most other bands of the Viking metal genre is the authenticity of their music: “Traditional music dating back to the Vikings, that is not preserved anywhere else in the world, not even in Iceland, is passed on in an oral tradition here and it is still alive and well. That is what we build our music on and draw great inspiration from,” explains Joensen. More
On 24 February 1999, three men held a meeting at the borders of the Pääsküla bog, in the singer and guitar player Markus’s basement, one of whom could play a little bit of guitar, another who knew how to play a little bit of drums, and a third who had come up with a sufficiently ancient-sounding name that would be just right for a heavy metal band – ’Metsatöll’ (the name “Metsatöll” is an ancient Estonian euphemism for wolf).The thought soon turned into reality and over the next few days four or five songs were composed and a couple of months later there was an entire album-full of them. The demo album Terast mis hangund me hinge was released in the autumn of 1999. Soon afterwards, Lauri joined the band, bringing with him a second guitar, the torupill, kannels and flutes. More